Osaka Street Fashion Show
Yutaka Wakasugi has been teaching fashion for 19 years, a career older than many of his current students. His portfolio includes pupils who have graduated on to top design houses like Yoji Yamamoto, Hiroko Koshino and Yoshiki Hishinuma.
As an expressive outlet for his students he puts on a show free from rules and themes called the Street Fashion Show. Following a predetermined route each student leads a group of models wearing their outfits through the streets on a sunny afternoon. It was a showstopper even in Americamura, a fashion explosion in the heart of Osaka where you’d have to be naked or on fire to get anyone to look at you twice.
One of the participants in the parade, Guido Saldana, isn’t a student. In fact he’s never studied fashion. In a show about breaking the rules they had only one choice, invite him along.
You never went to school? How did you learn to make clothes?
Schools teach complicated ways to do things. It’s the only way they know, teachers learn from teachers. My way is simple because I don’t carry the baggage of how you’re supposed to make clothes.
Why did you want to join the 2004 Street Fashion Walk?
I want to do lots of different things, treat fashion more like an art form than a job. With competitions you don’t have to worry about problems like designing 20 different items every season, back orders all that stuff.
How did you design this line for the parade?
I made it for the person. There was no image; it’s not a line. Before the parade I met with the models and finished everything in five days.
Five days? Did you do any drawings beforehand?
(Laughs) People are always surprised to find I can’t draw. I just cut out fabric and do it. It’s more from a construction point of view than a designer. Construction workers can make clothes because they look at how things fit and the components. Fashion designers can’t build a house because they’re too into the design, not the fit. I work on people’s shapes.
Why so much black?
I don’t want to change the thread in the machines; it takes an hour every time. For me the shape is more important than the fabric. Men’s suits are all the same, just new fabrics. Europeans and Americans always just play with the colors. But Japanese designers are really good at playing with the shape.
What future projects are you working on?
Gearhead work wear. It's hardcore, fashionable work clothing that’s modern and durable. Work clothes are always so stiff and ugly. I work with a lot of steel and I’m always going through clothes, they just burn up. I need clothing that’s flame retardant.
What’s the best compliment you’ve ever received?
I’ve never seen anything like that before in my life!
Published: Japanzine June 2004


